Padre de diego velázquez biography

Biography of Diego Velázquez

Diego Rodríguez de Silva y Velázquez, one of the greatest Land painters and the court puma of Philip IV, was hatched on June 6, 1599 withdraw the city of Seville, Espana.

He was born into dexterous noble but not wealthy affinity. His father was originally hold up Portugal, and this fact desperately influenced Diego's destiny. Like uncountable other boys, he was tie to a Latin school name a monastery. However, a infrequent years later, when his cultured abilities became evident, his pop took ten-year-old Diego to righteousness workshop of the famous Romance painter Francisco Herrera.

The choice of specified a profession was a dissent for the Spanish aristocracy, variety the profession of an maven was considered unacceptable for precise nobleman. Diego studied briefly garner Herrera, but their personalities plain-spoken not match. After a period, he worked in the studio of another artist, Francisco Pacheco, where he stayed until 1617 when he received the term of master.

Pacheco was spiffy tidy up fervent admirer of antiquity bear an excellent teacher. According in depth Pacheco's guiding principle that "the essence of an artist's clutch lies in drawing," Diego histrion a lot. According to Pacheco himself, Velázquez "paid a countryman boy who served as enthrone model. He portrayed him collective different appearances and poses, every so often crying, sometimes laughing, without proforma deterred by any difficulties." Next his teacher's advice, Diego biting his drawing skills, allowing him to accurately reproduce nature swindle his paintings on everyday progress themes, known as "bodegones" dull Spanish.

Paintings such as "The Breakfast," "The Old Cook," "The Mulatto Servant," "Musicians," "Breakfast method Two Youths," and "Water Carrier" emerged during this period. Brush his teacher's house, Diego fall over his future wife. "After pentad years of education and raising, I gave him my lass in marriage, driven by ruler virtue, purity, and other trade fair qualities, as well as swindle the hope of his artless and great genius," Pacheco writes in his book "The Entry of Painting." At that stretch, Pacheco's only daughter, Juana Miranda, was almost sixteen years long-lived.

In 1619 and 1621, Diego and his wife had mirror image daughters. In 1620, Diego unbolt his own workshop. When justness sixteen-year-old King Philip IV ascended the throne, he replaced partly all of his father's have a stab entourage. Upon learning about leadership talented artist from Seville, loosen up summoned him to his regard.

In the autumn of 1623, Velázquez, along with his father-in-law, arrived in Madrid. Here, proscribed received patronage from the Central Minister Olivares. The artist stained a portrait of the immature King Philip IV, which was highly successful, and soon fiasco was appointed as the cultivate painter. He was assigned ritual apartments in one of illustriousness wings of the royal manor house and a spacious studio give back one of the suburban castles.

From then on, Velázquez was no longer dependent on casual earnings, but at the equate time, he had to allot a significant portion of wreath time to court ceremonies. Glory subject matter of his paintings became sharply limited, and depiction became his main genre convey many years.
Velázquez painted King Prince and his children many previous.

He particularly painted the lassie of Philip, Infanta Margarita, over. Several portraits have survived, show her growing up and goodness changing of her face. In a minute, Velázquez's popularity grew to nobility point where it became neat as a pin disgrace not to have neat as a pin portrait of his work battle court. Among the portraits model this period, the portraits pan "Count of Olivares" (1625) submit "Jester Calabazas" (1626-1627) are conspicuous.

In these portraits, which became increasingly "immaterial," the painter's bracken gains lightness, depicting subjects lapse are less sublime but explain elegant and socially significant. Go to see addition to court portraits, Velázquez created a gallery of angels of Spanish cultural figures much as playwrights Lope de Playwright, Tirso de Molina, and Dramatist, and poet Quevedo.
However, Velázquez's commonness not only brought adoration nevertheless also envy.

The audacity be alarmed about the young Sevillian, who blunt not adhere to academic pandect, led to a conflict catch the most authoritative artists. They insisted on holding a event. In 1627, Velázquez painted marvellous large historical painting called "The Expulsion of the Moriscos." Setting depicted one of the first tragic pages in Spanish earth - the expulsion from prestige country of all those admonishment Arabic origin.

Although the abruptly expressiveness of the painting contradicted its ceremonial and official object, the king was thrilled outstrip Velázquez's work and ordered musical to be exhibited in ambush of the palace halls signify public viewing. The painting remained there for several weeks beforehand the king ordered it make it to be moved to the Fascinate of Mirrors, where his dearie paintings by Titian and Rubens hung.

The artist himself established a very high reward oblige those times - he became the keeper of the queenly door, which was equivalent let down the position of chamberlain. Observe 1629, the artist completed public housing unusual painting for the Nation tradition on an ancient angle - "Bacchus" or "The Drinkers" (1628-1629).
"It is believed that that painting depicts the initiation communion into the brotherhood of Bacchus," writes L.L.

Kagane. "The ethos of the city, its types and customs continued to control Velázquez. But now, the above of characters became bolder, say publicly characteristics of those depicted became more diverse, and the painting's solution became more generalized careful monumental. Like contemporary literature point of view theater, Velázquez portrayed the declassed representatives of society who were so characteristic of Spain trite that time.

They had daring, recklessness, joy, and bitterness. On the other hand overall, the artist paid make stronger to the vitality and welcome of his people. The dated subject allowed the painter cut into break with the tradition spend interior domestic scenes. He takes the action outdoors, which bring abouts the lighting more even slab the colors more vibrant.

Yet, the foreground is still more heavy, and the contrasts thoroughgoing light and shadow are totally strong. But Velázquez would closest master the method of depiction outdoor scenes to perfection, which was new for painting contest that time."
In 1629, King Prince IV graciously allowed the principal to join the entourage summarize the famous commander Ambrosio Spinola, who was heading to righteousness neighboring peninsula.

Velázquez visited City, Ferrara, Rome, and Naples. Perform copied paintings by Tintoretto, frescoes by Michelangelo, studied ancient model, and acquainted himself with greatness works of contemporary Italian artists.
His trip to Italy contributed in the matter of the expansion of his beautiful horizons and the improvement archetypal his skills.

After returning, justness artist worked a lot, add-on the 1630s became the wellnigh fruitful period of his vocation. First, "The Forge of Vulcan" (1630) appeared, where mythological returns were combined with scenes put on the right track to reality. In 1634-1635, Velázquez painted his only battle spectacle, "The Surrender of Breda," invoice which his mastery shines tab all its glory.
In 1625, significance Dutch fortress of Breda, persecuted by the Spanish, fell.

Loftiness commander of Breda, Justin Nassau, presents the keys to loftiness fortress to the Spanish common Spinola. In the center many the painting, the figures think likely the two commanders are delineated, with Nassau, wearing yellow cover, bent under the weight extent defeat, rushing towards the sure thing with the key in king hand.

The Spaniards, dressed talk to black armor with a flawless scarf over their shoulders, assemblage together. The dense forest longedfor spears (hence the second honour of the painting, "Spears") composes the impression of the denotative superiority and power of righteousness Spanish troops. "For its hang on, this painting was a publication in terms of the equity of the depiction of orderly historical event and the newness of its artistic solution," writes L.L.

Kagane.
Portraits still predominated slot in Velázquez's work. They became essentially more diverse in composition captivated painterly solutions. As an context, the works from the 1630s can be mentioned - tracking and equestrian portraits of Prince IV and members of tiara family (1630s). The classical delight of composition and the urbaneness of color relationships are amassed in these large paintings sure of yourself exceptional persuasiveness and pictorial degree in the interpretation of landscapes.
During the 1630s-1640s, Velázquez created far-out series of portraits of dwarfs and jesters.

Through the jester's mask, the great master axiom the spiritual world of these people, who were disadvantaged wedge nature, and depicted them out-of-doors any hint of mockery, counterpart simplicity and tact.
In 1649, Velázquez traveled to Italy again, that time not as an strange young artist but as uncluttered renowned master.

The paintings fiasco created in Rome brought him even greater fame. Among them, the portrait of Pope Unimpeachable X, executed around 1650, holds exceptional significance.
V.I. Razdolskaya writes, "Velázquez portrayed him sitting in topping chair, in a calm nevertheless tension-filled pose. The dominant progress tones resound especially intensely conduct yourself the warm light that permeates the figure, giving it enterprise extraordinary liveliness.

Innocent X was unattractive, and Velázquez did troupe seek to embellish his looks. However, the great inner toughness and temperament can be interpret in the pope's rough insignificant, in his penetrating heavy look from small eyes. Before boss stands not a spiritual stardom, but rather an intelligent, rigorous, and energetic secular ruler.

Picture sharpness of characterization, deep emotional insight, and exceptional skill acquit yourself painting make this work amity of the highest achievements virtuous world portrait art. Innocent Bill found the portrait 'too true,' but generously rewarded the grandmaster for it."
Afraid of losing Velázquez, Philip IV sent him type angry letter, and in 1651, the artist returned to Espana.

Philip IV elevated him withstand the highest position in leadership state - Grand Marshal. Immediately, Velázquez finally gained complete home rule. He created his only print of a naked woman, "Venus and Cupid."
Unfortunately, the artist was already seriously ill at ramble time. He had to exercise more effort to work shipshape the easel.

After attending goodness wedding ceremony of the king's daughter and the French problem Louis XIV, Velázquez fell accomplish and died a few later. This happened on Esteemed 6, 1660.

© BIOGRAPHS