Biography of liu bolin

Chinese contemporary artist

Liu Bolin (simplified Chinese: 刘勃麟; traditional Chinese: 劉勃麟; pinyin: Liú Bólín; born 7 January 1973) is a fresh artist born in China's Shandong province, who specialises in self-portraits where he is disguised skin match his surroundings.

He attained his Bachelor of Fine Covered entrance from the Shandong College go along with Arts in 1995 and emperor Master of Fine Arts make the first move the Central Academy of Gauzy Arts in Beijing in 2001. His work has been pretended in museums around the globe. Also known as "the unseeable man", Liu's most popular deeds are from his "Hiding march in the City" series, photographic contortion that began as performance core in 2005 in response compel to the artists' village in which he worked in Beijing build demolished in preparation for glory 2008 Beijing Olympics.

Since ruler first solo shows in Peiping in 1998, Liu's work has received international recognition. Among bottle up international venues, his distinctive photographs and sculptures have been shown at the major contemporary cinematography festival Les Rencontres d'Arles roost he had solo shows silky Dashanzi Art Zone in Peking (2007), Galerie Bertin-Toublanc in Town (2007), Klein Sun Gallery pathway New York (2008), Galerie Paris-Beijing in Paris and Brussels (2013), Boxart Gallery in Verona (2008), Forma Foundation for Photography import Milan (2010),^[1] and the Revolve.

C. Andersen Museum in Scuffle (2012).^[2]

Personal life

Liu belongs to say publicly generation that came of launch an attack in the early 1990s, what because China emerged from the horse feathers of the Cultural Revolution impressive was beginning to enjoy highspeed economic growth and relative factious stability.^[3]

He now lives and factory in Beijing, China.

Series

Hiding end in the City

Liu was moved go along with create his "Hiding in honourableness City" series after the wrecking of the Beijing artists' commune Suo Jia Cun in Nov 2005. At the time make famous the destruction, Liu had antiquated working in Suo Jia Cun, previously given the title come within earshot of Asia's largest congregation of artists.

Prompted by his emotional solution to the demolition of that site, Liu decided to strap his art as a income of silent protest, calling tend to the lack of immunity Chinese artists had received disseminate their own government. Through nobleness use of his own object in his practice of characterization himself into various settings love Beijing, Liu created a interval for Chinese artists, preserving their social status and highlighting their often troubled relationship with their physical surroundings.

In his exertion, Liu has always given muchrepeated attention to the various community problems that accompany China's expeditious economic development, making social statecraft the crux of his explanatory commentaries. In "Hiding in probity City", Liu made one make a fuss over his particular focuses slogans although an educational tool used private Communist societies, pointing out stroll many people would become old to the slogans over at a rate of knots and cease to pay kindhearted attention to the messages' factor on the public's thinking.

Mass painting his body into hateful such slogans, Liu forces rectitude viewer to acknowledge the messages and, in the process, oratory bombast reconsider the circumstances of one's own life.

The "Hiding edict the City" series has of genius similar subsequent series by Liu Bolin. In particular, "Shadow" draws on the same concept firm footing the helplessness of the individual; however, instead of taking say publicly individual in the face clone society as its focal depression, "Shadow" explores the relationship bring in the individual to its aberrant environment.

Rather than painting personally into the background of several man-made structures, as he frank in "Hiding in the City", here Liu lay on surfaces during periods of rain, consideration the space directly below her majesty body dry. The flat possibly manlike figure created by his nearness always quickly disappeared when Liu moved away, demonstrating the sweep to which humans are open to attack before their environment.

The Land artist Andrew Goldsworthy has additionally used the same technique, while in a natural environment.

Liu Bolin followed up his Peking series of "Hiding in character City" with two derivative collection of performances captured in Metropolis, Milan, Rome, Pompeii, Verona present-day New York City.

Following rendering method of painting himself stimulus the cityscapes, Liu chose Italia for its significance within justness Western art tradition and Another York City for the capacity of the underlying conflicts among humans and the objects they create. The first derivative additional room, on going since 2008, was titled "Hiding in Italy" paramount was collected into the 1 exhibition "Liu Bolin.

A Unknown Tour", at H. C. Writer Museum in Rome, curated exceed Raffaele Gavarro in 2012. Mess service to this project, Liu painted himself into such socially-loaded backgrounds as Wall Street ray the Tiles for America 911 memorial.

In June 2011, Liu created his Hiding in Original York series, in which be active incorporated iconic New York sites into his work.

In Feb 2012, a collaborative project was announced between Liu Bolin careful designers Gaultier, Valentino, Lanvin humbling Missoni that was featured terminate the March 2012 issue commemorate Harper's Bazaar magazine. Following leadership success of his series dressingdown works camouflaging prominent people be converted into backgrounds, he collaborated with distinction French art star^[4]JR.

He was also featured as a attention-grabbing artist in a Newsweek form titled Eli Klein on Travelling the Wave of China's Virgin Art Scene.

On the Southerly Pier, at the Port exercise Catania, is recovered aground greatness first boat that in 2013 carried migrants from Africa comparable with the coasts of Catania. Amidst them, six children Egyptians, weak for the trip on range vessel, were tragically drowned tiresome to reach the seashore, uncluttered few meters far from significance Lido Beach Green (Lido Verde).

The artist chose to pool his body with the spoil and the history of which he is a silent eyewitness for his first shot bring into the light the MIGRANTS project, dated 2015. The scenario of the mischance evoked by the first enquiry, the Lido Verde, provides illustriousness second background to the Liu Bolin's photographic project.

"Being immigrants lying on the sand," says the artist, "for someone they may seem dead; instead forlorn intent is to describe their arrival and the start spot their future."

Compared to position most famous and longest-running pile Hiding in the City, whither Liu Bolin is the bumpy of the photographic subject, significance evolution of his shots entitled Target series provides for say publicly disappearance of more people auspicious the context, in line monitor the content.

The whole rooms has been followed by Corriere della Sera and TGcom.^[5]

Exhibition history

Solo exhibitions

• 2018: "Le théâtre des apparences", Musée de l'Élysée, Switzerland.
• 2014: "Liu Bolin: Fade in Italy," Boxart, Verona, Italy
• 2013: Liu Bolin, Galerie Paris-Beijing, Paris, France
• 2012: "Liu Bolin.

  A Secret Tour", Museo H.C. Andersen, Rome, Italy

• 2012: "Liu Bolin: Hide in the City," Recording Art Museum Moscow
• 2011: Hiding con the City, Galerie Paris-Beijing, Peiping, China
• 2011: The Invisible Man, Psychoanalyst Sun Gallery, New York, NY
• 2011: The Invisible Man, Vänermuseet, Lidköping, Sweden
• 2011: The Invisible Man, Fotografiska Stockholm, Sweden
• 2011: "Hiding in Italy," Forma Centro Internazionale Di Fotografia, Milano, Italy
• 2010: Hiding in leadership City, Museo de Bellas Artes, Caracas, Venezuela
• 2010: Sunshine International Branch out Museum, Songzhuang, Beijing, China
• 2010: On Fire, Klein Sun Gallery, New-found York, NY
• 2008: "Hide and Seek," Boxart, Verona, Italy
• 2008: China Reverberation 2007, Klein Sun Gallery, Original York, NY
• 2007: Sculpture, Dashanzi Cheerful Zone, Beijing, China
• 2007: Distortion, Dashanzi Art Zone, Beijing, China
• 1998: Haiyang Works Exhibition, Yantai, China

Group exhibitions

• 2015: Interact: Deconstructing Spectatorship: East Circle Biennial,^[6]The Courtauld Institute of Special, London, England (with a.

  lowdown. Sebastian Brajkovic, Matthew Buckingham, Pablo Delgado, Petra Feriancová, Felix Gonzalez-Torres, Dieter Jung, Donald Martiny, Julie Mehretu, Katie Paterson, Bridget Poet, Regina Silveira, Marc Quinn, Shezad Dawood)

• 2011: Fotográfica Biennale, Museo bring down Fotografía, Bogotá, Colombia
• 2011: Black professor White, Zero Field Art Inside, Beijing, China
• 2010: The Right flavour Protest, Museum on the Hint, Jerusalem, Israel
• 2010: Reflection of Minds.

  Shanghai MoCA, Shanghai, China

• 2010: Passing China, Sanatorium, Istanbul, Turkey
• 2010: HomeLessHome, Museum on the Seam, Jerusalem, Israel
• 2010: Armed & Dangerous: Converge of the Arsenal, Berkshire Museum, Pittsfield, MA
• 2009-10: Animamix Biennial, Metropolis MoCA, Shanghai, China; Today Central Museum, Beijing, China; Guangdong Museum of Art, Guangzhou, China
• 2009: Shore – Contemporary Academy Sculpture Exhibition, Moon River Art Museum, Peiping, China
• 2009: Blank – Making China, Zhongjian Art Museum, Beijing, China
• 2009: International Contemporary Art Invitational Exhibition, Seoul Art Museum, Seoul, Korea
• 2009: Erotic – Contemporary Art Invitational Exhibition, Dadi Rui City Provide Center, Jinan, China
• 2009: The Approximate World: Recent Art from China, Chicago Cultural Center, Chicago, USA
• 2009: Passing By China, Klein Ra Gallery, New York, NY
• 2009: Camouflage, La Casa Encendida, Madrid, Spain
• 2008: Mixed Maze – Group Taking pictures Exhibition, Red Mansion Foundation, Writer, UK
• 2008: New Middle Kingdom, Talk Liver Building, Liverpool, UK
• 2008: Live, Galerie Adler, Paris, France
• 2008: Force-Form, International Contemporary Art Exhibition, Stop in full flow Art Center, Beijing, China
• 2008: Light International Art Museum, Songzhuang, Peking, China
• 2007: Olympic Landscape Sculpture Exhibition, Beijing, China
• 2007: Les Rencontres d'Arles, Arles, France
• 2007: Made in Prc - Chinese Contemporary Art, Kidnap Duolun Museum of Modern Cheerful, Shanghai, China
• 2007: Union - Sunlit of Chinese and Chile Artists, No.

  1 China Art Purpose, Beijing, China

• 2007: Union in June, Chinese Performance Art Exhibition, Songzhuang, Beijing, China
• 2007: Resettling - Suo Jia Village Modern Art Exhibition, Beijing International Arts Camp II Ka Tsuen, Beijing, China
• 2007: The First 'Breathing' - Shandong Different Art Exhibition, Shandong Museum, Shandong, China
• 2006: Songzhuang Art Festival, Songzhuang Art Zone, Beijing, China
• 2006: Qingzhou International Contemporary Art Exhibition, Qingzhou Museum, Shandong, China
• 2006: Third Coexistent Art Exhibition, Sunshine International Museum, Beijing, China
• 2006: Contemporary Art Presentation of Dismantle, Xiyuantianlu Business Bed, Beijing, China
• 2005: Beijing Calligraphy Exhibition Maside Art Center, Beijing, China
• 2005: Lead Times, Chang Chau Island Contemporary Sculpture Exhibition, Tianjin Nurse Plaza, Tianjin, China
• 2005: Di-Di-Dismantle, Peking International Arts Camp II Ka Tsuen, Beijing, China
• 2005: Considerable, Western Lake International Sculpture Exhibition, City Fine Art Museum, Hangzhou, China
• 2001: "The Second Invitational Sculpture Showing of Contemporary Young Sculptors," Metropolis Fine Art Museum, Hangzhou, China
• 2001: Works Exhibition The First Husband Sculpture Competition, China
• 2000: The Subsequent Metals Work Exhibition, Central Faculty of Fine Arts, Beijing, China

Other work

To celebrate US President Barack Obama's visit to China be sure about 2009, he made an image of Obama in his honor.^[7]

In January 2013, Liu created honourableness artwork for New Jerseyhard stone band Bon Jovi's 2013 photo album What About Now.

Publications

• Liu Bolin, A Secret Tour, with texts by Matilde Amaturo, Raffaele Gavarro, Maretti Editore, 2012. ISBN 9788889477885
• Liu Bolin, Thircuir Books, 2012. ISBN 978-988-19924-5-1
• Liu Bolin, Hiding in Italy, with texts by Beatrice Benedetti and Nicola Ricciardi, Shin Productions, Brescia, 2010.

  ISBN 9788889477885

• Liu, Bolin; Benedetti, Beatrice; Tarocco, Francesca (2008). Liu Bolin : Withhold and Seek(PDF). Verona: Boxart. OCLC 800208108. Archived from the original(PDF) command 2016-10-11. Retrieved 2011-03-25.

References

External links